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Emily Ackerman
Ensemble
has been an Associate Artist with The Civilians since 2005. With The Civilians she has appeared in This Beautiful City (Original Collaborator/Performer; Colorado Springs, ATL/Humana Festival 2008, Studio Theatre, upcoming off-Broadway at The Vineyard in 2009), Gone Missing (Barrow Street Theatre, off-Broadway cast Album, Actors Theatre of Louisville), and in developmental workshops of Shadow of Himself. Other credits include Well (as Lisa Kron, Arena Stage), The Constant Wife (American Conservatory Theatre and Seattle Repertory Theatre), Ghosts (Berkeley Repertory Theatre), The Seagull, Twelfth Night, Love’s Labours Lost, The Skin of Our Teeth, Romeo & Juliet, Rosencrantz & Guildenstern Are Dead, Medea (California Shakespeare Theater), Clean Alternatives (59E59th Street/Edinburgh Festival, Fringe First Award), The People’s Temple (Perseverance Theatre), St. Joan, The Entertainer, The Weir (Aurora Theatre Company), Fugitive Kind, Candida (Marin Theatre Company), and the world premiere of Kissing the Witch (Magic Theatre). Film credits include Happily Ever After and Rise of the Dead. In additionto performing, she is also co-author of Re-Entry (with KJ Sanchez), which will be produced by Two River Theater Company in 2009 |
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Marsha Stephanie Blake
Ensemble
Broadway: The Crucible, directed by Richard Eyre. Off-Broadway: Queens Boulevard by Charles Mee (Signature Theatre), All That I Will Ever Be by Alan Ball, directed by Jo Bonney (NYTW), Speak Truth to Power, directed by Terry Kinney (Culture Project), The Beach, directed by Leigh Silverman (Epic Rep/Public Theater), Living Room in Africa, directed by Carolyn Cantor (Edge Theatre Co.), The Gentleman Dancing Master and The Master Builder (Pearl Theatre), Aunt Dan and Lemon (The New Group), Twelfth Night (Public Theater/NYSF). Regional: This Beautiful City (Humana Festival and Studio Theatre in D.C.), Peter and Wendy (Arena Stage). Film: The Architect, directed by Matthew Tauber, A-Alike, Lifted and the upcoming Indelible, directed by Randall Dottin. Television: 6 Degrees, Law & Order, Law & Order: SVU, Third Watch. |
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Brad Heberlee
Ensemble
Off-Broadway/New York: The Thugs (Soho Repertory Theater), (I am) Nobody’s Lunch (The Civilians), The Last Sunday In June (Century Center), Man Is Man (Prospect Theatre Company). Regional: This Beautiful City (Humana Festival/ATL), The Sweetest Swing In Baseball (Denver Center Theatre Company), I Am My Own Wife and David Copperfield (Weston Playhouse Theatre Company), 36 Views (Huntington Theatre), Hay Fever (Baltimore CenterStage), Serious Money (Yale Repertory Theatre), Amadeus (Syracuse Stage/Virginia Stage), The Foreigner (Milwaukee Repertory Theater), A Christmas Carol (McCarter Theatre Center), Candida and Measure for Measure (Sacramento Theatre Company), The Taming of the Shrew and The Merchant of Venice (Idaho Shakespeare Festival). Training: Yale School of Drama. |
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Brandon Miller
Ensemble
New York/Off-Broadway: Deathbed (Apparition), Armed and Naked in America (Naked Angels), The Attic and Arabian Night (The Play Company), Hannah & Martin (Epic Theatre Center). International: I Am Nobody’s Lunch with The Civilians (Edinburgh Fringe/London’s Soho Theatre), The Green Violin (SPBA, St. Petersburg, Russia). Regional: The Glass Menagerie, Blur and An Ideal Husband (Dallas Theater Center), Family Stories: Belgrade (Market Theater). Feature Film: Adam and Steve. Graduate of Yale Drama School. |
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Stephen Plunkett
Ensemble
Broadway/Off-Broadway: Gone Missing (Barrow Street), Jump (Kirk), Realism. Other: New York: Glimpses of the Moon (Algonquin Hotel), The Horton Foote Project (78th Street Theatre Lab). Regional: Actors Theatre of Louisville, Huntington, Studio, TwoRivers, New Harmony Project. Film: Only You, Baader Meinhof. Television: Law & Order: Criminal Intent. MFA: NYUGraduate, Acting. |
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Alison Weller
Ensemble
Broadway: Coram Boy. Off-Broadway: Gone Missing (Barrow St. Theatre), Aphrodisiac (P.S. 122). As an Associate Artist with The Civilians: original collaborator on Gone Missing (Galapagos, Belt, Gate London, Under the Radar, Aspen Comedy Festival) and This Beautiful City (Colorado College, Sundance Theatre Lab), also The Ladies (Chashama). Other NY: The Female Terrorist Project (The Committee), Out From Under It and Blue Lila Rising (New Georges). Regional: Pride and Prejudice (Portland Center Stage), Julius Caesar, The Country Wife, Hay Fever, Triumph of Love, The Cherry Orchard (Shakespeare Theatre of NJ), Mrs. Warren’s Profession and Juno and the Paycock (Lyric Stage), Driving on the Sidewalk (W.H.A.T.), Lady in the Dark (Cape Rep). CTG: The Cherry Orchard. Film: Marc and Tom, Little Match Boy. BA: Harvard. MFA: UCSD. |
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Tom Corbett
Guitar/Mandolin/Fiddle
Toured with John McEuen (Nitty Gritty Dirt Band), Robin and Linda Williams (Prairie Home Companion). Mandolin on Mike Ness’s (Social Distortion) Cheating at Solitaire. Taught Tom Selleck ukulele for his Broadway performance in A Thousand Clowns. Two solo CDs: Upstairs At Charlie’s and Cloudless Blue Sky. www.tomcorbett.net |
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Mike Schadel
Drums
Los Angeles: Music director of Creation Nation, composer and central scrutinizer in the Resistible Rise of Arturo Ui at The Knightsbridge Theatre, drummer in The Joan Rivers comedy show band at the Canon Theatre, Bloody Bloody Andrew Jackson at the Kirk Douglas Theatre. Television: 7th Heaven, Keenan and Kel, Rescue 77, Safety School (NBCpilot), The George Wendt Show. |
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Brian Duke Song
Bass
Los Angeles: Jazz studies at UCLA, Freelance session bassist. San Jose: bassist for Joseph and The Amazing Technicolor Dreamcoat, West Side Story, Will Rogers Follies, Once on This Island, Guys and Dolls, A Chorus Line. Music Studies at De Anza College. |
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