Martin McDonagh
Playwright
Plays: The Beauty Queen of Leenane, A Skull in Connemara, The Lonesome West, The Lieutenant of Inishmore, The Cripple of Inishmaan, The Pillowman, The Banshees of Inisheer, The Retard is Out in the Cold, Dead Day at Coney, A Behanding in Spokane. Screenplays: Barney Nenagh’s Shotgun Circus, Suicide on Sixth Street, In Bruges, Seven Psychopaths. As Writer/Director: Six Shooter (short film).
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Wilson Milam
Director
U.S. credits include Glengarry Glen Ross, The Seafarer (Seattle Rep); Poor Beast in the Rain (Matrix); The Lieutenant of Inishmore (Atlantic/Broadway – Tony Award nomination Best Director); Closer (Berkeley Rep); Bug (Woolly Mammoth); Killer Joe (Next Theatre, Chicago; 29th Street Rep/Soho Playhouse, New York); Pot Mom (Steppenwolf); The Caine Mutiny Court-Martial (A Red Orchid, Chicago). UK and Ireland credits include Harvest, Flesh Wound, Fresh Kills (Royal Court); Lay Me Down Softly, Defender of the Faith, On Such As We (Abbey, Dublin); Othello (Shakespeare’s Globe); The Lieutenant of Inishmore (RSC Stratford/Barbican/Garrick); Hurlyburly (The Peter Hall Company at the Old Vic/Queens); True West (Bristol Old Vic); A Lie of the Mind (Donmar Warehouse); The Wexford Trilogy (Tricycle); Chimps (Liverpool Playhouse); Bug (Gate, London); Killer Joe (Traverse – Scotsman Fringe First Award/Bush/Vaudeville). Other: Much Ado About Nothing (RADA); A Mad World, My Masters (Central School of Speech and Drama); Doctor Who: Scream of the Shalka (BBCi).
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Laura Fine Hawkes
Scenic Design
Theatrical engagements include work with Salem K Theatre Company, Fountain Theatre, Circle X Theatre, Geffen Playhouse, Ensemble Studio Theatre L.A., Antaeus Theatre Company, Pacific Resident Theatre, among others. Laura has recently participated in the design and development of multiple live shows for Thinkwell Design and Production. As a guest designer, Laura works with academic institutions and young artist training programs, highlights include the Opera Institute at Cal State University Long Beach and San Francisco Opera’s Merola Program. Laura designed the Air Force One Discovery Center, a 2009 THEA award-winning exhibit permanently housed in The Ronald Reagan Presidential Library and Museum. Television Art Direction credits include programming for NBC/Bravo, Comedy Central, PBS and FUEL. With a 2008 L.A. Drama Critics Circle Award and a 2008 LA Stage Alliance Ovation Award nomination, Laura holds an MFA in Scenic Design from UCLA.
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Stephanie Kerley Schwartz
Costume Design
As Resident Designer for Rogue Machine Theatre: Treefall (Scenery – LA Weekly Award, Garland Award), Compleat Female Stage Beauty (Scenery and Costumes - Garland Award, Ovation nomination), American Dead (Costumes). The Matrix Theatre: Scenery - Bold Girls, Dealing With Clair, Honour. Pacific Resident Theatre: Scenery – Rocket to the Moon, Hogan’s Goat, Orpheus Descending, Entertaining Mr. Sloan. Moving Arts: Song of Extinction (Scenery - LA Weekly Production of the Year). The Colony Theatre: Bea[u]tiful in the Extreme (Scenery). Other companies include L.A. Theatre Works, Naked Angels, Electric Lodge, The Met, among many others. She designed costumes for The Wizard of Oz in Concert (with Jewel as Dorothy) performed at Avery Fisher Hall for TNT. Credits for film as either Production Designer and/or Costume Designer include two period filmsset in rural Vermont - Where the Rivers Flow North and A Stranger in the Kingdom.
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Brian Gale
Lighting Design
Recently: LA Opera - Ring Cycle, Jenufa, Don Giovanni, La Bohème, Judas Macabeaus, Noyes Fludde. Disneyland: Fantasmic! L.A. Contemporary Dance: Fight or Flight. Previously: Drumline Live World Tour, Sondheim 75th (Hollywood Bowl), Substance of Fire (Seattle Repertory), Sight Unseen (Berkeley Repertory), Brooklyn Laundry (co-design/Coronet Theatre), Macbeth directed by Richard Jordan with Raul Julia (New York Shakespeare Festival), Pick Up Ax, Frankie and Johnny in the Clare De Lune, Dog Logic (South Coast Repertory), The Dance of Death (Los Angeles Theatre Center), and numerous productions for Center Theatre Group/Mark Taper Forum including Largo Desolato, Talking With and the world premiere of Angels in America (co-design).
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Cricket S. Myers
Sound Design
Off-Broadway: Marvelous Wonderettes (Westside Arts Upstairs). Center Theatre Group: Bengal Tiger at the Baghdad Zoo, The Subject Was Roses, The School of Night, Nightingale (Mark Taper Forum); The Wake, Bengal Tiger at the Baghdad Zoo (Ovation nomination), The Little Dog Laughed (Ovation nomination), Two Unrelated Plays, Come Back, Little Sheba (Kirk Douglas Theatre); History Boys (associate), Dead End (assistant), Ain’t Misbehavin’(assistant) (Ahmanson Theatre). Regional Theatre: In The Wake, (Berkeley Rep); Wrecks, Some Girl(s) and Emergency (Ovation nomination, NAACP nomination) (Geffen Playhouse); Crowns, Orson’s Shadow (Pasadena Playhouse). Selected L.A.: Life Could Be A Dream (Hudson Theatre); dark play or stories for boys (Garland Award, Ovation nomination) (Boston Court); Battle Hymn (Ovation nomination) (Circle X); Mary’s Wedding (Ovation nomination), Master Harold… and the boys (NAACP nomination), Trying (Ovation nomination) (Colony Theater). www.cricketsmyers.com.
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David S. Franklin
Production Stage Manager
Center Theatre Group: Highlights – Bandido!, Gross Indecency, Like Jazz, Nickel and Dimed, Intimate Apparel, The Goat, An Enemy of the People, Baz Luhrmann’s La Bohème, Art, 3hree, A Perfect Wedding, Romance, The Cherry Orchard, Curtains, Nightingale, Distracted, The History Boys, Bloody Bloody Andrew Jackson, Two Unrelated Plays by David Mamet, Kirk Douglas in his solo show, Before I Forget, Ain’t Misbehavin’, The Lieutenant of Inishmore, The Subject Was Roses and Bengal Tiger at the Baghdad Zoo. Other Los Angeles: Los Angeles Theatre Center in its heyday from 1985- 1990, Pasadena Playhouse, Geffen Playhouse. Regional: Seattle Rep, Intiman Theatre. New York: Public Theater. Tours: Europe – Quotations from a Ruined City, Law of Remains (with Reza Abdoh’s Dar a Luz company); North America – Ann Magnuson’s You Could Be Home Now.
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