OVERVIEW
“GO! The piece constantly evokes the knot of romance and lust and commerce that are infinitely fascinating and impossible to untangle.”
- Steven Leigh Morris, LA Weekly
“FASCINATING…”
- Charles McNulty, Los Angeles Times
“PROVOCATIVE…
David Cale delivers all an actor can: Charm, intersecting planes to time and reality and post-theater impact that shed light on our lives.”
- Laurence Vittes, The Hollywood Reporter
“BRACINGLY ORIGINAL…CALE IS A MASTER.”
- Les Spindle, Back Stage
Kieren McGrath dreams of writing a book. When the opportunity to become an escort to rich, lonely women in New York presents itself in the back of his horse-drawn Central Park carriage, he's found his subject. Or has he?
"David Cale... is a spellbinder. Fascinating as he is to watch, and exquisite as his verbal imagery can be, it is Cale's gifts as a storyteller that hold an audience rapt."
- Steven Winn, The San Francisco Chronicle
Read a review of Palomino from the Kansas City Rep Theatre production.
- Steve Shapiro, KCTribune
David is best known for his solo works A Likely Story, Deep in a Dream of You, Smooch Music, The Redthroats (which was presented by CTG in the 1988 Taper, Too season), and the Obie Award-winning Lillian. His monologues have been featured on Public Radio's This American Life and NPR's The Next Big Thing. As a lyricist, his words have been sung by Elvis Costello, Deborah Harry and the Jazz Passengers. As an actor he performed on Broadway in The Threepenny Opera and most recently starred in the off-Broadway production of Mouth to Mouth at The New Group. He has appeared in films including Two Lovers, Pollock and most notably, playing the homeless drifter Studebaker in The Slaughter Rule, opposite David Morse and Ryan Gosling.
More About the Show
Girl meets boy. But that’s where the traditional love story ends. Girl pays for boy’s company. Other girls start to pay for boy’s company. Boy makes a company of his company. The girls lose money, but gain a sense of self. The boy makes money, and loses himself. In the end: bad bargain for the boy… Read more of Kristin Friedrich’s interview with David Cale.
Eat, drink and be social
The Lounge opens one hour before show time, serving drinks and eats from Culver City's culinary stars. Step into the Lounge after the show to hear our resident DJ's spin the coolest grooves and join the cast and crew for cocktails and conversation. When the applause dies down, your night continues at Culver City's hottest late-night spot. Open late nights Thu-Sat.
Enjoy great deals at all of our Kirk Douglas Theatre Restaurant Partners!
The Kirk Douglas Theater is excited to partner with Rush Street to create the AfterLounge, where KDT patrons enjoy VIP Access to the exclusive second-floor of Rush Street, which features comfortable seating, a private bar and lounge featuring some of Hollywood’s top DJs.
On Thursday, Friday and Saturday nights Rush Street welcomes all visitors displaying the KDT hand stamp and offers a 10% discount on all food and drinks.
Restaurant Partner
Show your ticket to get 15% of food at meet restaurant (formerly Bistro de l’Hermitage)
Wine Tastings - Sunday, May 16 and 23
Complimentary wine tastings begin immediately following the 1pm matinee and continue until 1/2 hour before the evening performances on May 16 and 23. What better way to "wine" down your weekend?
Patrons attending the 1pm and 6:30pm performances of Palomino on Sunday, May 16 are invited to join us in The Lounge for a complimentary wine tasting sponsored by BottleRock.
Patrons attending the 1pm and 6:30pm performances of Palomino on Sunday, May 23 are invited to join us in The Lounge for a complimentary wine tasting sponsored by Ugo - An Italian Cafe.
PARKING is FREE in Culver City!
We offer FREE covered parking at Culver City City Hall, after 6pm on weeknights and all day on weekends! (Enter on Duquesne Avenue.)
CREDITS
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Written, Performed and Directed by
David Cale
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Scenic Design by
Takeshi Kata
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Costume Design by
Laura Bauer
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Lighting Design by
Beverly Emmons
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Sound Design by
Andre Pluess
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Projection Design by
Jason H. Thompson
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Production Stage Manager
William Joseph Barnes