OVERVIEW
“PLAYS LIKE A BULLET.
90 RIVETING MINUTES.”
Evan Henerson,
Daily News (review online)
“A MASTERPIECE OF THE GENRE.
There's something elementally thrilling about seeing that much passionate male energy on a stage.”
Paul Hodgins, The Orange County Register (review online)
“RICHARD THOMAS goes toe to toe with the hardheads and returns as much passion as he’s attacked with...”
Bob Verini, VARIETY (review not available online)
What seems like an open-and-shut murder case becomes a twisted puzzle of prejudice and intrigue. Twelve jurors in a murder trial are corralled in a room for the duration of their deliberation. As prejudices are tested and evidence is weighed, the entire jury is forced to look past the show of the courtroom to unearth the shocking truth. Faced with playing the hangmen, these dozen men must first face themselves.
“THE PLAY CAN STILL CRACKLE AND POP...”
Sean Mitchell , Los Angeles Times (review online)
LA Weekly PICK OF THE WEEK:
“This ensemble plays it as tautly as a ballet.”
Steven Leigh Morris, LA Weekly (review online)
“A HEARTY HUZZAH FOR RIGHTEOUS ANGER…”
Evan Henerson, Daily News (review online)
CREDITS
-
By
Reginald Rose
-
Director
Scott Ellis
Set Design
Allen Moyer Costume Design
Michael Krass Lighting Design
Paul Palazzo -
Sound Designer
Brian Ronan
With
- Richard Thomas (Juror # 8)
- George Wendt (Juror # 1)
- Randle Mell (Juror #3)
- Charles Borland (Juror #6)
- Todd Cerveris (Juror #2)
- T. Scott Cunningham (Juror # 12)
- Julian Gamble (Juror #10)
- Jeffrey Hayenga (Juror #4)
- David Lively (Juror #11)
- Alan Mandell (Juror #9)
- Mark Morettini (Juror #7)
- Patrick New (Guard)
- Jim Saltouros (Juror #5)
PUBLICATIONS
PRESS RELEASES
