Center Theatre Group News & Blogs https://www.centertheatregroup.org/news-and-blogs/news/2018/november/ The latest news from Center Theatre Group in Los Angeles, home of the Ahmanson Theatre, Mark Taper Forum, and the Kirk Douglas Theatre. A New Play Debuts in Boyle Heights https://www.centertheatregroup.org/news-and-blogs/news/2018/november/luis-alfaros-l-a-story-comes-to-our-library-reading-series/ Tue, 20 Nov 2018 13:24:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/luis-alfaros-l-a-story-comes-to-our-library-reading-series/ <p>The play is <i>Mama of the Row or Who Raised the Rent? (A Los Angeles Vaudeville of Tragic Proportions) A Displacement of Bertolt Brecht’s <q>Mother Courage and Her Children,</q></i> and it’s the story of a family living on the streets of Downtown L.A.’s Skid Row. <p><i>Mama of the Row</i> is one of about two dozen new works currently under commission by Center Theatre Group. But unlike most of our commissions, it made its first public debut as part of our free Library Play Reading Series&mdash;just a few miles away from where the piece is set. And so Alfaro&mdash;whose works have appeared on stages around the world, and who was a longtime member of Center Theatre Group’s artistic staff&mdash;found himself doing rewrites in a Boyle Heights parking lot, surrounded by director <a href="http://www.nancykeystone.com/" target="_blank">Nancy Keystone</a>, a small company of local actors and collaborators, and the three-woman, mariachi-inspired band <a href="https://www.lavictoriamusic.com/" target="_blank">La Victoria</a>. <p>The group had spent the previous week in your more typical regional theatre new play development setting: Center Theatre Group’s rehearsal rooms. <q>It was so much fun, and I have to say part of the journey was that we created together,</q> said Alfaro. <q>It was so amazing that we were able to bring all the collaborators into the room, and that I was able to bring in scenes every day.</q></p> <p>But with just moments before the reading was to take place, with Benjamin Franklin Library already packed with patrons of all ages there for the play&mdash;mostly local but at least one person had come from as far away as Simi Valley&mdash;Alfaro had realized he needed to add a new scene.</p> <p>After a quick rehearsal in the lot, followed by an introduction from Center Theatre Group Community Partnerships Director Jesus Reyes, the band began to play, and the actors took the floor. The group of elementary school-age girls in the front row stopped giggling, and the entire audience spent the next hour enraptured&mdash;laughing, gasping, and occasionally tearing up&mdash;by the struggles of Mama and her children. The next two evenings, the scene was similar at Malabar and Robert Louis Stevenson Libraries.</p> <p>For the past five years, these three libraries have hosted regular bilingual play readings&mdash;generally monthly, with a Spanish reading followed by an English reading&mdash;for a multigenerational audience of grandparents, parents, and children. <q>Some of our largest audiences turn out for Center Theatre Group’s plays,</q> said Benjamin Franklin Branch Senior Librarian Connie B. Topete. <q>There is so much enthusiasm when a play reading is held here. You can feel the excitement. Live theatre is not something that most people in Boyle Heights have access to, and the community is very appreciative of that fact.</q></p> <p>Alfaro was equally appreciative of his audience. <q>I can’t imagine a more diverse audience. It was so cool&mdash;even having the little kids. It was fun to track it with the audience, to hear where they were plugging in and out,</q> said Alfaro. <q>You’re writing about a community and you have the community judge you and give you affirmation or criticism&mdash;it’s a kind of guide. The opportunity to have that kind of community with you is very rare. It was all very positive and very fun. We got better and better every night. I did about 30 pages of changes through the second reading, and by Thursday, I thought we had gotten a rough draft of what we wanted.</q></p> <p>Alfaro will continue to work on and refine <i>Mama of the Row</i> over the coming months with the continued support of Center Theatre Group. And the readings&mdash;which generally are presented in partnership with local Los Angeles theatre companies&mdash;will continue at the libraries.</p> Taking Kabuki to the Taper https://www.centertheatregroup.org/news-and-blogs/news/2018/november/taking-kabuki-to-the-taper/ Fri, 16 Nov 2018 16:57:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/taking-kabuki-to-the-taper/ <p>Through centuries of storytelling, every culture has established its own distinct style onstage, paving the way for new methods of theatre to emerge. <a href='https://www.centertheatregroup.org/tickets/mark-taper-forum/2018-19/valley-of-the-heart/"><i>Valley of the Heart</i></a> playwright and director Luis Valdez celebrates the blend of cultures in his California story&mdash;onstage at the Mark Taper Forum October 30 &ndash; December 9, 2018&mdash;by incorporating Japanese techniques he has admired over the years. <p><q>I have seen kabuki in Japan at the National Theatre,</q> Valdez said. <q>I wanted to borrow from the sense of kabuki theatre I found to be so theatrical and so beautiful.</q> Ultimately, he gave Valley of the Heart <q>hints of kabuki-esque.</q> <p>Kabuki&mdash;a highly stylized form of drama with song and dance&mdash;originated in the early 1600s. Its first practitioners were Japanese women performing comedic dances that parodied Buddhist prayers in the dry riverbeds of Kyoto. As its popularity grew, these makeshift outdoor stages were replaced by more permanent kabuki teahouse theatres, quickly becoming trendy spots to socialize. <a href="https://www.japan-zone.com/culture/kabuki.shtml" target="_blank">Although frowned upon by the shogunate government</a> for the mischief it brought, kabuki survived as the people’s theatre that artistically expressed everyday life. This contrasted with the upper-class form of dance called <a href="https://www.japan-guide.com/e/e2091.html" target="_blank">Noh</a>, which featured Japanese folktales. <p>Unlike traditional Western theatre, kabuki’s exaggerated visual and acting style purposefully calls attention to itself. Actors perform as caricatures through larger-than-life gestures onstage. Along with lavish scenic designs and costumes, their movements are accompanied by sounds of percussion, strings, and wind instruments. Each moment in a kabuki performance works to emphasize the beauty of spectacle, rather than focus on realism. <p>The clearest influence of kabuki on <i>Valley of the Heart</i> can be seen in the two kurogo stagehands who are part of the cast. <q>These figures completely dressed in black help to make transitions happen,</q> said Valdez. <q>These two figures remind us constantly that this is a play we’re moving forward.</q> <p>Mariela Arteaga plays one of the kurogo. She and her fellow kurogo <q>are, in a way, blank canvases there to transform into whatever is needed for the scene,</q> Arteaga said, depending on the action and tone. She channeled her dance background to find the right motions with her body. <q>I was freestyling and creating my movement to go along with whatever was going on in the scene at hand,</q> she said. <q>If it’s a military scene, and I have to deliver a telegram, I will make sure that my movement is more staccato, signaling a certain strength. Whereas if it is a family Christmas scene, I will make sure that my movement is more light and airy to give a more jovial sense.</q> <p>Although Arteaga did not know much about kabuki beforehand, her research process&mdash;which included watching countless videos of kabuki theatre&mdash;prepared her not only for the role but also for adapting Japanese theatre for the Taper stage. <q>Asian dance is very stylized, and I wanted to make sure that any gestures I made on stage reflected that,</q> she said. <q>For example, there are certain ways that the wrists twist and turn, extending all the way through to the fingertips. Little details like that really make a difference, as well as the speed at which you move.</q> <p>In the rehearsal room, Valdez worked closely with the kurogo actors to hone in on the artistic choices in their movements, often demonstrating himself how the actors should hold props or perform an action. These special theatre techniques, coupled with a multicultural love story, create a melting pot onstage that, at its heart, remains <q>consummately American,</q> as <a href="http://www.latimes.com/entertainment/arts/theater/reviews/la-et-cm-valley-of-the-heart-review-20181109-story.html" target="_blank"><i>Los Angeles Times</i> theatre critic Charles McNulty pointed out in his review</a>, adding, <q><i>Valley of the Heart</i> celebrates diversity as the true ingredient of America’s enduring greatness.</q> Career Misery Has Company https://www.centertheatregroup.org/news-and-blogs/news/2018/november/a-fad-a-day-to-your-doctors-dismay-2/ Fri, 16 Nov 2018 16:49:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/a-fad-a-day-to-your-doctors-dismay-2/ <p>The celebrities themselves are another story. Dr. Baer, the eponymous (former?) host of The Dr. Baer Show in Eliza Clark’s World premiere comedy <a href="https://www.centertheatregroup.org/tickets/kirk-douglas-theatre/2018-19/quack/"><i>Quack</i></a>&mdash;onstage at the Kirk Douglas Theatre October 21 &ndash; November 18, 2018, seems fairly shocked by his own downfall. No matter how the turmoil pans out for the embattled endocrinologist, there may be some comfort in knowing that his situation is not unique, as demonstrated by these well-known celebrity career meltdowns. <h3>John Edwards</h3> <p>From lawyer to U.S. Senator to vice presidential candidate, John Edwards’ star had been on a consistent rise through the late 1990s and early 2000s. However, in late 2007, during his presidential campaign, <i>The National Enquirer</i> began reporting on an alleged extramarital affair between Edwards and one of his campaign workers. By mid-2008, even after the campaign was suspended, the story eventually began to be picked up by more mainstream news outlets. <p>The pressure mounted until August, when Edwards <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/08/08/AR2008080802738.html?noredirect=on" target="_blank">admitted to the affair</a>; however, the scandal didn’t stop there. After denying fathering his mistress’ child, having additional lurid details come to light while his wife was undergoing treatment for terminal cancer, and facing indictment on federal charges for allegedly using campaign funds to attempt to hide the affair, Edwards at one point <a href="https://www.nytimes.com/2012/06/14/us/politics/john-edwards-charges-dismissed.html" target="_blank">declared</a> that he <q>was a sinner but not a criminal</q> Having avoided a conviction due to a mistrial, Edwards did manage to maintain that distinction&hellip; barely. <br><br> <h3>Paula Deen</h3> <p>Celebrity chef and lifetime butter advocate Paula Deen had been a mainstay in suburban living rooms through her programming on the Food Network channel and her restaurants thanks to her less-than-healthy signature recipes. Having risen from humble beginnings, Deen’s success and persona as a salt-of-the earth, southern food authority may have inadvertently worked against her when a racially charged scandal arose. <p>In 2013, an employee at a restaurant Deen co-owned filed a lawsuit against her claiming alleged sexual harassment and racial discrimination. While the case was eventually settled out of court, Deen did <a href="https://www.reuters.com/article/usa-pauladeen-slur/update-2-food-network-to-drop-paula-deen-amid-racial-slur-controversy-idUSL2N0EX1GD20130621?feedType=RSS&feedName=everything&virtualBrandChannel=11563" target="_blank">admit during a deposition</a> to having used racial slurs at certain points in her life. After the release of the deposition transcript, the Food Network subsequently cancelled her shows, and her merchandise was dropped by many retailers. Though Deen’s career has recovered somewhat as she established her own programming and new product lines, it is fair to say she suffered a devastating professional blow, although it seems it did give her some time to work on her <a href="https://www.youtube.com/watch?v=wBKcDOwJo_Q" target="_blank">dance moves</a>. <br><br> <h3>Matt Lauer</h3> <p>Up until late 2017, Matt Lauer was considered one of America’s most iconic news anchors. Having co-hosted NBC’s <i>Today</i> show for 20 years&mdash;along with hosting the Macy’s Thanksgiving Day Parade for nearly as long, as well as opening ceremonies for several Olympic Games&mdash;Lauer was a morning news staple for many American households. But on the night of November 29, 2017, a memo sent to the entire staff of NBC News explained that one of Lauer’s colleagues had filed a complaint against him for sexual harassment. <p>With NBC News Chairman Andy Lack <a href="https://money.cnn.com/2017/11/29/news/lack-statement-lauer/index.html" target="_blank">elaborating in the memo</a> that they had </q>reason to believe this may not have been an isolated incident,</q> NBC News terminated Lauer that evening. In the following days, outlets <a href="https://variety.com/2017/biz/news/matt-lauer-accused-sexual-harassment-multiple-women-1202625959/" target="_blank">reported</a> on further allegations that alleged a pattern of harassment and abuse of power over the span of years, including his use of a button under his desk that remotely locked his office door. While not much has been heard from Lauer since he was fired, one would hope he has reevaluated his own behavior with at least as much scrutiny as he did with other alleged <a href="https://www.youtube.com/watch?v=8XlhRL3D3Sw" target="_blank">high-profile harassers</a>. Maybe he has&hellip; but <a href="https://www.youtube.com/watch?v=NxLPzeCGuX8" target="_blank">maybe not</a>. <br><br> <h3>Roseanne Barr</h3> <p>While this entry may come a bit too soon for fans of her eponymous show, Roseanne Barr perhaps faced one of the quickest turnarounds from comeback to career scuttling in recent celebrity history. Riding the wave of revivals and reimaginings within the television industry, <i>Roseanne</i> had a phenomenally well-received revival on ABC in 2018. <p>And yet, while Roseanne had a preexisting reputation for provocative social media posts, the straw that broke the proverbial camel’s back came after she made a <a href="https://www.washingtonpost.com/news/reliable-source/wp/2018/05/29/roseanne-went-on-a-vitriolic-and-racially-charged-twitter-rampage-now-shes-apologizing/?noredirect=on&utm_term=.3ab9b517235e" target="_blank">racist tweet</a> about a former adviser to President Barack Obama. While Roseanne maintained that her comment had nothing to do with race, the reaction from ABC and the media was swift and decisive, and her show was immediately cancelled. It is perhaps a testament to her achievements how quickly the show she had helped create was <a href="https://www.imdb.com/title/tt8595140/" target="_blank">brought back</a> afterward, even without its titular character, yet it’s unclear if she’ll manage a personal comeback once the dust has settled. Go Behind the Scenes Before the Performance https://www.centertheatregroup.org/news-and-blogs/news/2018/november/go-behind-the-scenes-before-the-performance/ Fri, 09 Nov 2018 15:00:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/go-behind-the-scenes-before-the-performance/ <p>What today we call the Artist Series was founded in the 1970s by UC Santa Barbara theatre professors who wanted to bolster the interest of young theatregoers. They invited Southern California alumni and other subscribers to join them before the show for discussions about the work onstage, often with members of the creative team. After the matinee and before the evening performance, the group would gather again for a potluck dinner to which they invited the cast. Over the years, the potluck was dissolved, and Center Theatre Group took over the programming, inviting any audience member who wanted to attend.</p> <p>Genni Klein has been attending the program since 1975. She recalled highlights including director Warner Shook giving a talk about <a href='https://www.centertheatregroup.org/about/timeline/1988-1997/#timeline-item-141"><em>The Kentucky Cycle</em></a> and co-director Oskar Eustis discussing <a href='https://www.centertheatregroup.org/about/timeline/1988-1997/#timeline-item-143"><em>Angels in America</em></a>, as well as more recent programs featuring <a href='https://www.centertheatregroup.org/tickets/mark-taper-forum/2017-18/archduke/"><em>Archduke</em></a> and <a href='https://www.centertheatregroup.org/about/timeline/2008-2017/#timeline-item-187"><em>Bengal Tiger at the Baghdad Zoo</em></a> playwright Rajiv Joseph.</p> <p>“They are absolutely wonderful. I have appreciated them very much,” said Klein of the discussions. The program “has given me some very interesting insight into certain pieces, particularly new works. It’s always interesting to hear somebody’s point of view on the artistic choices.” Subscribing for so long has also created community for Klein. “There are several people from that original program who still attend, and it’s a way we keep up with each other,” she added.</p> <p>“The Artist Series is another chance for us to highlight the caliber of artists we work with,” said Audience Engagement Director Tyrone Davis. “But more importantly, it’s a chance for our community&mdash;not just patrons but also students and people at home, who can listen to recordings of the conversations on our podcast&mdash;to find out about the creative spark behind the work, to deepen their engagement with the productions, and to be inspired by theatre in a new way.”</p> <p>The 2018/2019 Artist Series kicked off on September 8, 2018 with actor John Earl Jelks, who reprised his Broadway and Off-Broadway role in Lynn Nottage’s Pulitzer Prize-winning <a href='https://www.centertheatregroup.org/tickets/mark-taper-forum/2018-19/sweat/"><em>Sweat</em></a> at the Taper. Writer and director Luis Valdez joins audiences on November 10, 2018 to discuss the history and inspiration behind <a href='https://www.centertheatregroup.org/tickets/mark-taper-forum/2018-19/valley-of-the-heart/"><em>Valley of the Heart</em></a>.</p> <p>“Theatre is ultimately about building community&mdash;and exploring and sharing our human experiences,” said Director of Social Strategy, Innovation and Impact Leslie K. Johnson. “What better way to do that than to bring together the two most important human elements of theatre&mdash;our artists and our audience&mdash;in intimate ‘get to know you’ conversations?”</p> The Doctor, the Nurse, the Troll, the Wife, and the Journalist https://www.centertheatregroup.org/news-and-blogs/news/2018/november/the-doctor-the-nurse-the-mogul-the-journalist-and-the-troll/ Thu, 08 Nov 2018 11:38:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/the-doctor-the-nurse-the-mogul-the-journalist-and-the-troll/ <p>With several actors having participated in developmental readings and workshops months before the first official rehearsal, they’ve had the benefits of a lot of time, collaboration, and discovery. Now in the full swing of the production, we asked the actors about their insight on the creative process and the experience of bringing a story that touches so many hot buttons to L.A. audiences. </p><h2>Dan Bucatinsky, Dr. Irving Baer</h2> <dl><dt>What was your first reaction after reading the script for<i> Quack</i>? </dt> <dd>I loved how smart and fast and layered it was. Also—the relevance it has to right now. I also found Dr. Baer to be an interesting, volatile character. Talks fast. Pivots fast. He reminded me of someone. Oh, yeah; me.</dd> <dt>What inspirations do you draw from for both your role and the play as a whole? </dt> <dd>I admire the physical comedy of actors like <a href="https://www.imdb.com/name/nm0000177/" target="_blank">Kevin Kline</a> and <a href="https://www.imdb.com/name/nm0001447/" target="_blank">Nathan Lane</a>. Also colleagues like <a href="https://www.imdb.com/name/nm0005003/" target="_blank">Sean Hayes</a>. Actors who can straddle the physical, more broad with the more grounded and emotional. And with Dr. Baer, all of this is happening at the same time. </dd> <dt>What is your favorite thing about this cast and crew? </dt> <dd>Everyone seems to have a real appreciation for Eliza Clark's words. And the vision for the play. And its message and speed. We all work together to try to bring it to life as closely as she had envisioned. I also think everyone has a sense of humor which is so important. </dd> <dt>What inspires you as an artist? </dt> <dd>I’m always inspired when I see the inspiration or innovation of another artist. A writer. A performer. A visual artist. Musician. Connecting to the “shimmer” (in the words of Dr. Baer) of another artist… It's like a chain reaction. And in turn, I always hope to inspire someone else. </dd> <dt>Favorite daytime talk show? </dt> <dd><i>Ellen</i>. Duh. </dd> </dl> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_650/v1/2018/prod_QCK/ProductionPhotos/1_Q113" alt="" itemprop="contentUrl"><figcaption class="inline-image__meta"><span itemprop="caption" class="inline-image__caption">Dan Bucatinsky and Jackie Chung. Photo by Craig Schwartz.</span> </figcaption></figure><h2>Jackie Chung, Kelly</h2> <dl><dt>What was your first reaction after reading the script for <i>Quack</i>? </dt> <dd>This play is smart, fast, and hilarious. </dd> <dt>Have you ever had a mentor/mentee relationship with someone? </dt> <dd>I have not. And certainly not like the relationship Kelly has with Dr. Baer. </dd> <dt>What is your favorite thing about this cast and crew? </dt> <dd>The cast and crew are filled with generous, funny, and hard-working people. They’re always making me laugh! </dd> <dt>In your mind, what distinguishes theatre from other performance mediums? </dt> <dd>That it is live, live, LIVE! Anything can happen. It’s both frightening and exhilarating. </dd> <dt>Favorite daytime talk show? </dt> <dd><i>Oprah</i>! </dd> </dl> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_650/v1/2018/prod_QCK/ProductionPhotos/4_Q293" alt="" itemprop="contentUrl"><figcaption class="inline-image__meta"><span itemprop="caption" class="inline-image__caption">(L-R) Dan Bucatinsky and Nicholas D`Agosto. Photo by Craig Schwartz.</span> </figcaption></figure><h2>Nicholas D'Agosto, Brock </h2> <dl><dt>What was your first reaction after reading the script for <i>Quack</i>? </dt> <dd>It's almost like I had to come up for air. The play is engaging and has a lot of momentum, and neither the characters nor the audience are let off the hook regarding the issues packed inside it. </dd> <dt>What inspirations do you draw from for both your role and the play as a whole? </dt> <dd>There is nothing more important to me, or emotionally potent, as my wife and son. I weave elements of my personal life together with the needs of my character, and work to bring him to life. </dd> <dt>In your mind, what distinguishes theatre from other performance mediums? </dt> <dd>The audience understands that we are here for them, and that they play a part in the show happening in front of them. They can laugh, cry, moan, gasp, and they know that we are hearing it and feeling it in the moment with them to some degree. That intimacy is not available in TV or film. </dd> <dt>What is one thing you’d encourage audience members to do or think about after seeing <i>Quack</i>? </dt> <dd>Trust your gut, and talk about and analyze how it really made you feel, even if you think that the thoughts you're experiencing are uncomfortable or unwanted. That's how we get closer to understanding more about others, and ourselves. </dd> <dt>Favorite daytime talk show? </dt> <dd>Can I say <i>The Price Is Right</i>? </dd> </dl><br><br><h2>Jessalyn Gilsig, Meredith Baer</h2> <dl><dt>What was your first reaction after reading the script for <i>Quack</i>? </dt> <dd>My first impression after reading the play was what a satisfying and easy read it was. I was amazed by the layers Eliza had managed to create all the while remaining entertaining. That and also knowing I wanted to play Meredith. </dd> <dt>Have you ever had a mentor/mentee relationship with someone? </dt> <dd>I actually haven’t. I have an odd mistrust of that kind of relationship. I have certainly admired people and felt very lucky to work with many talented people I have learned from. But I think as a woman in this business, I have learned to keep a distance at all times. </dd> <dt>What is your favorite thing about this cast and crew? </dt> <dd>From the first moment, I was moved by how kind, generous, patient, and talented the entire company has been. I felt welcomed immediately and have been inspired every day by everyone’s commitment to their department. This has been a very spectacular experience for me. </dd> <dt>What inspires you as an artist? </dt> <dd>Collaboration is what I love about my work. You can’t do this alone. You need a writer, a director, talented performers, designers, crew, an audience. All the elements to make an experience and to be a part of that gives me a deep sense of purpose. I feel very lucky to have made a career in art. It is not easy but it does feel meaningful. </dd> <dt>Favorite daytime talk show? </dt> <dd>I love <i>Judge Judy</i>! I know that’s nuts. But I just love how decisive and clear she is. She calls it like she sees it. Always makes me smile. </dd> </dl> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_650/v1/2018/prod_QCK/ProductionPhotos/7_Q381" alt="" itemprop="contentUrl"><figcaption class="inline-image__meta"><span itemprop="caption" class="inline-image__caption">(L-R) Dan Bucatinsky, Shoniqua Shandai, and Jessalyn Gilsig. Photo by Craig Schwartz.</span> </figcaption></figure><h2>Shoniqua Shandai, River </h2> <dl><dt>What was your first reaction after reading the script for <i>Quack</i>? </dt> <dd>I was blown away by how prolific and timely it was, and it seems to have only grown more relevant as the political climate changes. </dd> <dt>What inspirations do you draw from for both your role and the play as a whole? </dt> <dd>I watched a lot of <a href="http://angelarye.com/about-angela/" target="_blank">Angela Rye</a> as an inspiration for River. She’s bold, passionate, and honest, which comes from having a personal stake in the policies she’s fighting for. I wanted River to have some of that weighted awareness that what she’s fighting for isn’t just an abstract idea of “good,” but more so being pushed from the pain of having been wronged. </dd> <dt>In your mind, what distinguishes theatre from other performance mediums? </dt> <dd>It’s one thing to deliver a monologue brilliantly on camera once. But having to create the same world as vividly as you did the night before, eight shows a week? There’s nothing more exhilarating and humbling as an actor. Nothing compares to it. </dd> <dt>What is one thing you’d encourage audience members to do or think about after seeing <i>Quack</i>? </dt> <dd>I’d encourage self-examination. Which parts of the show made you laugh or cringe? Which character did you find yourself agreeing with or vilifying? Pick and pull at your own reactions and moral thermometers, and then go talk to someone who doesn’t think like you. </dd> <dt>Favorite daytime talk show? </dt> <dd><i>The Tyra Banks Show</i>. </dd> </dl> Ten Camps, One Executive Order https://www.centertheatregroup.org/news-and-blogs/news/2018/november/ten-camps-one-executive-order/ Wed, 07 Nov 2018 16:48:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/ten-camps-one-executive-order/ <p><i><a href="tickets/mark-taper-forum/2017-18/zoot-suit/">Zoot Suit</a></i> creator Luis Valdez’s latest, <i><a href='https://www.centertheatregroup.org/tickets/mark-taper-forum/2018-19/valley-of-the-heart/">Valley of the Heart</a></i>—onstage at the Mark Taper Forum October 30 – December 9, 2018—revisits this wrenching time through the story of two immigrant families: the Yamaguchis and the Montaños. If the play has inspired you to dig deeper into this chapter of our country’s history, here are some narratives and resources that have helped us better understand how Japanese American internment is remembered and commemorated today. </p><ol><li><h3><a href="https://99percentinvisible.org/episode/manzanar/" target="_blank"><i>99% Invisible</i>: Manzanar</a></h3></li> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_675/v1/2018/prod_VOH/Editorial/Manzanar" alt="" itemprop="contentUrl"></figure><p>Growing up in 1950s California, Warren Furutani, a fourth-generation Japanese American who later became a politician, occasionally heard his parents talk about <q>camp.</q> He eventually learned it wasn’t the YMCA or summer camp he had imagined. In 1969, along with 150 other Japanese Americans, Furutani traveled to the closest internment camp from Los Angeles—Manzanar. In this episode of <i>99% Invisible</i>, Furutani discusses the formation of the Manzanar Committee, which continues to raise public awareness of the internment and hosts an annual pilgrimage to Manzanar every spring. </p><li><h3><a href="http://www.militarymuseum.org/FairPlay.pdf" target="_blank"><q>Dear Earl</q>—The Fair Play Committee, Earl Warren, and Japanese Internment</a></h3></li> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/c_fill,f_auto,g_face,h_500,q_auto,w_675/v1/2018/prod_VOH/Editorial/Earl_Warren_1" width="675" height="500" alt="" itemprop="contentUrl"></figure><p>Earl Warren was the 30<sup>th</sup> Governor of California and an American jurist who played a pivotal role in the relocation of Japanese Americans without charges or due process. In response, a prominent figure in Oakland, Warren’s friend Alfred J. Lundberg, led the Fair Play Committee—a group that lobbied for the immediate release and return of people from internment camps. In 1953, Warren was appointed Chief Justice of the U.S. Supreme Court and continued to defend his stance on wartime internment. It was not until after his death in 1974, in <i><a href="https://www.goodreads.com/book/show/1137339.The_Memoirs_of_Chief_Justice_Earl_Warren" target="_blank">The Memoirs of Earl Warren</a></i>, that he offered the closest thing to a public apology: <q>It was wrong to react so impulsively without positive evidence of disloyalty, even though we felt we had a good motive in the security of our state.</q> </p><li><h3><i>Drunk History</i>: Frank Emi Defies the Draft of Japanese Americans During World War II</h3></li> <iframe width="560" height="315" src="https://www.youtube.com/embed/aepYZlvwSno" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe> <p>Frank Emi was a Japanese American civil rights activist who was relocated to the Heart Mountain camp in Wyoming in 1942. When the Army started drafting Japanese American men to go off to fight in World War II, Emi formed the Heart Mountain Fair Play Committee to protest the draft. <i>Fresh Off the Boat</i>’s Randall Park tipsily narrates this <i>Drunk History</i> episode, while Aaron Takahashi plays Frank Emi. According to Park, <q>No 'shikata ga nai'</q>—a rejection of the Japanese saying <q>It cannot be helped</q>—became the mantra of the Heart Mountain Fair Play Committee. </p><li><h3>Japanese American National Museum</h3></li> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_675/v1/2018/prod_VOH/Editorial/JANM" alt="" itemprop="contentUrl"></figure><p>The Japanese American National Museum (JANM) in Los Angeles is committed to preserving and sharing experiences of Japanese Americans. Their ongoing exhibit <q><a href="http://www.janm.org/exhibits/commonground/" target="_blank">Common Ground: The Heart of Community</a></q> chronicles over a century of Japanese American history and displays an original barrack from Heart Mountain. If you can’t make it to JANM, check out their interactive website. <q><a href="https://enemy-mail.janm.org/" target="_blank">Enemy Mail: An American Story of Wartime Separation</a></q> showcases a series of letters sent by businessman Gihachi Yamashita to his family after being separated during internment, as well as the petitions his daughters sent to the government for their father’s release. </p><li><h3>President Reagan’s Remarks and Signing Ceremony for the Japanese-American Internment Compensation Bill</h3></li> <iframe width="560" height="315" src="https://www.youtube.com/embed/kcaQRhcBXKY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe> <p>On August 10, 1988—almost 50 years after Pearl Harbor—President Ronald Reagan signed the Civil Liberties Act of 1988, granting reparations to Japanese Americans interned during World War II. The act gave each surviving U.S. citizen a redress check of $20,000, and a total of 82,219 people received this compensation. <q>Yet no payment can make up for those lost years,</q> Reagan said in this speech at Washington, D.C. <q>So, what is most important in this bill has less to do with property than with honor. For here we admit a wrong; here we reaffirm our commitment as a nation to equal justice under the law.</q> </p><li><h3><a href="https://www.npr.org/sections/codeswitch/2018/06/20/621972727/for-some-japanese-americans-border-separations-are-deja-vu" target="_blank">NPR—<i>Code Switch</i>: For Some Japanese Americans, Border Separations Are Déjà Vu</a></h3></li> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_675/v1/2018/prod_VOH/Editorial/Japanese_notices" alt="" itemprop="contentUrl"></figure><p>The events happening at the southern U.S. border today feel all too familiar for many Japanese Americans who lived through World War II. Tony Osumi was a child when he witnessed the FBI pull fathers away from their families, without notice or mention of how long they would be gone, immediately after Pearl Harbor. Executive Order 9066 quickly followed, and all Japanese American families living in the western states were subsequently interned. Today, border separations remain <q>something that's deeply personal for many of us</q> Japanese Americans, Osumi said. <q>The incarceration experience where families were very similarly torn apart as they were put in the camps and the lasting scars that many people carried from that, has led to deep emotional and visceral reactions</q> to what’s currently happening in the news. </p></ol> A Fad a Day to Your Doctor’s Dismay https://www.centertheatregroup.org/news-and-blogs/news/2018/november/a-fad-a-day-to-your-doctors-dismay/ Mon, 05 Nov 2018 14:59:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2018/november/a-fad-a-day-to-your-doctors-dismay/ <p>With more options than ever when it comes to living our best, healthiest life, many turn to doctors and medical professionals for recommendations and guidance, such as with Dr. Baer, the licensed endocrinologist, revered medical TV show host, and central figure of Eliza Clark’s World premiere comedy <a href="https://www.centertheatregroup.org/tickets/kirk-douglas-theatre/2018-19/quack/"><i>Quack</i></a>—onstage at the Kirk Douglas Theatre October 21 – November 18, 2018. Though we usually leave it to Dr. Baer when it comes to counselling his audience on the latest tips and trends, since his schedule has been tumultuous lately, we’ve compiled a few current fads that might pop up on his audience’s radar. </p><h3>Cabbage Soup Diet</h3> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto,w_675/v1/general/2018/cabbage-958124_960_720" alt="" itemprop="contentUrl"></figure><p>As one might guess by the name, the cabbage soup diet isn’t a new hip fad by any means. Having come in and out of vogue periodically over the last several decades, the diet calls for exactly what you’d think: eating predominantly cabbage soup for what’s usually a seven-day period. Marketed as a quick trick for losing a few pounds, the <a href="https://www.mayoclinic.org/healthy-lifestyle/weight-loss/expert-answers/cabbage-soup-diet/faq-20058079" taget="_blank">overall consensus</a> among the medical community is the diet doesn’t promote sustainable weight loss, can lead to malnutrition, and perhaps tops the list for overly restrictive diets. Bottom line: there are better and far tastier options for those looking to eat healthy. </p><h3>Activated Charcoal</h3> <p>If you happen to spot someone sipping a glass full of what looks like squid ink, there’s a good chance that person is enjoying(?) an <a href="https://www.besthealthmag.ca/best-eats/diet/detox-do-or-dont-what-to-know-about-cleansing-with-activated-charcoal-juice/" taget="_blank">activated charcoal drink</a>. From lemonades and smoothies to toothpastes, adding activated charcoal—a super-heated, more processed form of the same stuff you put in barbecues—has become a popular go-to remedy for detoxes and digestive issues. While the absorptive quality of activated charcoal is used in medical procedures to treat poisonings, <a href="https://www.consumerreports.org/dietary-supplements/activated-charcoal-fad-not-a-magic-health-bullet/" taget="_blank">research shows</a> the purported benefits are at best overstated, while regular consumption may have inadvertent side effects, including the charcoal potentially absorbing nutrients and vitamins that your body uses. Maybe best to just stick to regular lemonade… </p><h3>Ear Candling</h3> <iframe src="https://player.vimeo.com/video/174830826?color=729287&amp;byline=0" width="500" height="360" frameborder="0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen=""></iframe> <p>While the name of the procedure may bring some people back to a particular scene in <a href="https://www.youtube.com/watch?v=inStPQaAgdM" taget="_blank"><i>Shrek</i></a>, ear candling involves burning candles near one’s ear to try and remove earwax. These special hollowed candles are meant to create suction and/or use heat to clear wax from the ear canal. If trusting a lit candle—and by extension anyone handling that candle—so close to your face for the sake of clean ears makes you nervous, no need to worry; the <a href="https://www.fda.gov/ForConsumers/ConsumerUpdates/ucm200277.htm" taget="_blank">consensus from researchers</a> is that the candles don’t actually clear your ears. And tests have shown that, unsurprisingly, the waxy debris that is found within the candle after use is not in fact ear wax, but melted wax and gauze from the candle itself. Who’d have guessed? </p><h3>Raw Water</h3> <p>For some, the recent push for less-processed, more <q>back to nature</q> foods has shifted to include our most important survival resource: water. For those of a more discerning and/or skeptical palette, raw water—unfiltered, untreated water from natural springs and sources—is now a convenient, though royally expensive, option. While many regions throughout the country may have <a href="https://www.usatoday.com/story/news/2017/08/14/63-million-americans-exposed-unsafe-drinking-water/564278001/" taget="_blank">valid concerns</a> about tap water due to aging infrastructure, <a href="https://www.healthline.com/health-news/raw-water-health-concerns#1" taget="_blank">most health professionals</a> argue the potential risks of drinking untreated water far outweigh any potential benefits. On the other hand, proponents of raw water often provide alternative, sometimes questionable arguments, as one seller explained to <a href="https://www.nytimes.com/2017/12/29/dining/raw-water-unfiltered.html" taget="_blank"><i>The New York Times</i></a>: <q>Call me a conspiracy theorist, but [fluoride’s] a mind-control drug that has no benefit to our dental health.</q> No comment.</p>