Center Theatre Group News & Blogs https://www.centertheatregroup.org/news-and-blogs/news/2020/january/ The latest news from Center Theatre Group in Los Angeles, home of the Ahmanson Theatre, Mark Taper Forum, and the Kirk Douglas Theatre. Ferguson, Missouri: A Timeline https://www.centertheatregroup.org/news-and-blogs/news/2020/january/ferguson-missouri-a-timeline/ Wed, 15 Jan 2020 10:00:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2020/january/ferguson-missouri-a-timeline/ <p><strong>August 9, 2014</strong><br>Michael Brown, an unarmed, black 18-year-old, is shot dead by an unnamed white police officer on Canfield Drive in Ferguson. Witnesses offer varying testimonies of the altercation.</p> <p><strong>August 10</strong><br>At a news conference, St. Louis County Police Chief Joe Belmar says Brown attacked the officer and tried to take his gun. Others, including Darian Johnson, who was on the scene, say no struggle took place. Belmar states that one shot was fired inside the vehicle and another outside the vehicle. Protests begin, peaceful at first. However, some demonstrators smash car windows and loot local stores. This is met with heavy response from local police dressed in riot gear.</p> <p><strong>August 11</strong><br>Ferguson police announce they will release the name of the officer. The FBI announces it will join the investigation. Unrest continues, with police using tear gas and rubber bullets against protesters.</p> <p><strong>August 12</strong><br>President Barack Obama addresses the shooting for the first time, calling Brown’s death “heartbreaking,” but urging Ferguson residents to remain calm. Ferguson police cancel plans to name the officer who killed Brown, citing death threats.</p> <p><strong>August 13</strong><br>The fourth night of protests results in protesters throwing Molotov cocktails while heavily armed police deploy armored vehicles.</p> <p><strong>August 14</strong><br>President Obama addresses the nation, calling for peace and an “open and transparent” investigation. Governor Jay Nixon announces the Missouri Highway Patrol, led by Captain Ron Johnson, will take over security in Ferguson to ease tensions between protesters and police.</p> <p><strong>August 15</strong><br>Ferguson police name Darren Wilson, 28, as the officer who shot Brown. Police also release a surveillance video of Brown and Darian Johnson allegedly robbing a convenience store prior to the shooting. Johnson’s lawyer confirms his involvement. Brown’s family accuses the police of trying to assassinate Brown’s character.</p> <p><strong>August 16</strong><br>Governor Nixon declares a state of emergency and establishes a curfew in Ferguson, making it illegal to be out after midnight.</p> <p><strong>August 17</strong><br>The Justice Department authorizes a federal autopsy of Brown’s body and an independent investigation.</p> <p><strong>August 18</strong><br>Continued protests lead Governor Nixon to deploy the National Guard. Seventy-eight people from as far away as California and New York are arrested. Amnesty International deploys human rights teams to Ferguson, the first time the organization has done so in the US. Police officers appear to use both Long Range Acoustic Devices (LRADs) and tear gas to suppress protesters.</p> <p><strong>August 19</strong><br>A grand jury begins investigating whether Wilson should be criminally charged. President Obama sends US Attorney General Eric Holder to Ferguson.</p> <p><strong>September 4</strong><br>The Justice Department announces a civil investigation of the Ferguson police.</p> <p><strong>September 16</strong><br>Wilson testifies before a grand jury.</p> <p><strong>October 10</strong><br>Four days of peaceful demonstrations known as “Ferguson October” begin.</p> <p><strong>October 21</strong><br>Governor Nixon announces a special commission to examine the social and economic conditions in Ferguson.</p> <p><strong>October 22</strong><br>A leaked autopsy in the St. Louis Post-Dispatch reveals Brown was shot at close range in the hand and six times total, appearing to support Wilson’s claim that there was a struggle in his car. A toxicology report also shows that Brown had marijuana in his system.</p> <p><strong>November 24</strong><br>Prosecuting Attorney Robert McCulloch says no indictment will be filed against Wilson. A wave of protests follow. President Obama calls on the nation to accept the decision and protest peacefully. Though most protests are peaceful, more than a dozen buildings are burned, as are dozens of vehicles and two police cars. Local police arrest more than 60 people.</p> <p><strong>November 29</strong><br>Wilson, who has been on administrative leave since the shooting, resigns from the Ferguson Police Department.</p> <p><strong>December 1</strong><br>Hundreds of protesters march through the streets of Berkeley and Oakland, California, to protest grand jury decisions not to indict white police officers in the deaths of two unarmed black men—Brown and Eric Garner of New York, who died in a police choke hold on July 17, 2014.</p> <p><strong>December 13</strong><br>Thousands of demonstrators, led by Reverend Al Sharpton, call for judicial reform, special prosecutors at the federal level, and body cameras on police nationwide during a “Justice for All” march and rally in Washington, D.C.</p> <p><strong>March 3, 2015</strong><br>The Justice Department review finds that the Ferguson Police Department engaged in a broad pattern of racially biased law enforcement that permeated the city’s justice system, including the use of unreasonable force against black suspects.</p> <p><strong>April 7</strong><br>Ferguson elects two additional black city council members, transforming racial composition in local politics.</p> <p><strong>April 23</strong><br>Brown’s parents file a wrongful death lawsuit against the city of Ferguson, former Police Chief Thomas Jackson, and Wilson.</p> <p><strong>July 22</strong><br>Ferguson appoints a black interim police chief, who says his first goal is “simply to build trust” within the community.</p> And the 2020 Sherwood Award Goes to…Performance Maker Mat Diafos Sweeney https://www.centertheatregroup.org/news-and-blogs/news/2020/january/and-the-2020-sherwood-award-goes-to/ Mon, 13 Jan 2020 16:07:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2020/january/and-the-2020-sherwood-award-goes-to/ <p>We’re proud to announce that Sweeney is our 2020 <a href='https://www.centertheatregroup.org/programs/artists/sherwood-award/" target="_blank">Dorothy and Richard E. Sherwood Award</a> recipient, a $10,000 prize Center Theatre Group awards to an innovative and adventurous Los Angeles theatre artist at a catalytic moment in their career.</p> <p>Since 1996, the Sherwood Award has been given annually in honor of longtime Center Theatre Group supporters Dorothy and Richard E. Sherwood. Richard was President and then Chairman of the Center Theatre Group Board, and Dorothy was deeply involved in the award’s selection and curation process before her passing in 2018. This year their son, Ben Sherwood, was part of the internal panel that selected Sweeney.</p> <p>Sweeney creates new work collaboratively, primarily with an ensemble he founded in 2008 called <a href="http://fourlarks.com/" target="_blank">four larks</a>. “My work is dependent on the virtuosity and variety of the performing collaborators I work with,” he said. “There is such an incredible, diverse multiplicity of artistic communities in Los Angeles that are typically sort of separate—like the city, they can be really spread out and disconnected—but the pleasure of my work is bringing in collaborators from different performance modes and creating unexpected artistic synapses.”</p> <p>Four larks has created a number of pieces in nontraditional spaces, including <em>katabasis</em> at the Getty Villa, which Sweeney described as “part-art installation, part-roving opera,” and a new, ongoing site-specific series of contemporary music with the Los Angeles Chamber Orchestra called <em>session</em>. This month, he opens his “first major theatre commission in L.A.” from the Wallis: <a href="https://www.thewallis.org/Frankenstein" target="_blank">an adaptation of Mary Shelley’s <em>Frankenstein</em></a>. As a result, the moment feels particularly catalytic for him.</p> <p>“I’ve established my work by creating new opportunities across forms and in unexpected locations,” he said. “I’m excited to bring my practice back into established theatrical spaces, with an expanded spectrum of resources and support.” </p> <p>His <em>Frankenstein</em> takes “the methodologies I’ve been working with in my site-specific practice and moves it into a traditional theatre space,” he said. “We’re using Mary Shelley’s text but collaged, to create a new piece that reexamines the questions she raised in 1818 alongside the scientific ethics of our generation and the use of new technologies in our daily lives.”</p> <p>A Los Angeles native who studied theatre at UCLA, Sweeney feels that the city makes his work possible. “I spent some time traveling and living other places, but I was drawn back here by the community of artists and the collaborative spirit happening here that I think is really unique,” he said. “L.A. definitely feels like the center of the artistic universe that I want to be a part of.”</p> Behind Salon Doors https://www.centertheatregroup.org/news-and-blogs/news/2020/january/behind-salon-doors/ Thu, 09 Jan 2020 09:30:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2020/january/behind-salon-doors/ <p>On Friday, November 8, 2019, introductions and dinner welcomed the group to this artistic community. “The opening weekend gives everyone the sense of safety and excitement that promotes earlessness and creativity. Our goal is for everyone to feel valued and supported by the group,” said Associate Artistic Director/Literary Director Neel Keller. “To spend a weekend together sharing meals and ideas—along with having wild, varied, and interesting conversations—is a great way to start the year.” Each playwright is allotted about an hour to lead a Q&amp;A session with one or two experts in the topic the playwright has chosen.</p> <p>There was no inquiry the experts couldn’t answer—for instance, in response to Anyanwu’s initial question, Evans-Smith went on to explain that, for her, throwing a punch is methodical and tactical, rather than emotional.</p> <p> <figure class="inline-image" itemscope="" itemtype="http://schema.org/ImageObject"><img class="inline-image__img" src="https://res.cloudinary.com/dv3qcy9ay/image/upload/f_auto/v1/2020/prog_WW/1920Participants/DSC_5078" alt="" itemprop="contentUrl"><figcaption class="inline-image__meta"><span itemprop="caption" class="inline-image__caption">L-R: Kenneth Lin and Adelina Anthony. </span> </figcaption></figure></p> <p>Playwright Dionna Michelle Daniel, who is working on two plays—a theatrical revision of <em>Uncle Tom’s Cabin</em> and a semi-autobiographical play about family secrets—said the most “mind-blowing” thing she learned at the Salon was that New York City’s iconic nightclub, the <a href="https://www.britannica.com/topic/Cotton-Club" target="_blank" title="">Cotton Club</a>, was highly segregated. Daniel also said talking with experts “made the ideas and themes of my play much more personable—it’s a much better experience to speak with the experts than scouring Google for information.”</p> <p>Adelina Anthony, who is working on a sci-fi play that incorporates Nahuatl codex imagery and mexihcatl tradition, was excited to discover that there are plans to make the <a href="https://www.wdl.org/en/item/10096/" target="_blank" title="">Florentine Codex</a> (which translates and transcribes Aztec history) accessible online. “Speaking to my own experts made me realize the terrain I want to explore in my play are vast areas of knowing and not-knowing,” she said. “This liminal space is always attractive to me as an artist, because it’s in the shades of gray that I find affirmation of our collective humanity.”</p> <blockquote class="blockquote blockquote--medium"><p>Hearing from other people’s experts was beneficial because it sparked other story/ character possibilities for me. I know I have so much to synthetize and process creatively over the coming months—and that’s a good feeling to have.</p></blockquote> <p>But what is also exciting about the weekend is that the playwrights gain additional knowledge about subjects they never anticipated exploring—a phenomenon that seems to happen every year, noted Keller. He said the playwrights often end up incorporating the ideas of the experts who were invited by other members of the cohort.</p> <p>“I felt that some of the topics the other experts spoke on correlated so brilliantly to my own work—and even if they didn’t have anything to do with my own work, all of them were so captivating,” said Daniel, who even thinks the conversation between Evans-Smith and Anyanwu will find its way in her work. “Her stories about being a woman in the mixed martial arts world were awesome.”</p> <p>Anthony felt the same. “Hearing from other people’s experts was beneficial because it sparked other story/character possibilities for me,” said Anthony. “I know I have so much to synthetize and process creatively over the coming months—and that’s a good feeling to have.”</p> A Community of Strength: the Compelling History Behind Sting's Hometown https://www.centertheatregroup.org/news-and-blogs/news/2020/january/a-community-of-strength-the-compelling-history-behind-stings-hometown/ Tue, 07 Jan 2020 12:56:00 -0800 Center Theatre Group https://www.centertheatregroup.org/news-and-blogs/news/2020/january/a-community-of-strength-the-compelling-history-behind-stings-hometown/ <h2>Martin Farr on the Ridley Plan</h2> <p>One of the reasons the Conservative Government elected in Britain in 1979 under <a href="https://en.wikipedia.org/wiki/Margaret_Thatcher" target="_blank">Margaret Thatcher</a> was so significant was that it was as much, if not more than, the Labour Government elected in 1945 under <a href="https://en.wikipedia.org/wiki/Clement_Attlee" target="_blank">Clement Attlee</a>, the 20th-century British government that had the clearest sense of what it wanted to do. Which was, in essence, to fragment the legacy of the 1945 government. The Conservative Government elected in 1970 under Edward Heath also had a clear sense of what it wanted to achieve, which was similar, but it bawked at the opposition it provoked. The Heath government’s change of heart became known as the “U-turn,” and the memory of that betrayal became as intense for some conservatives as that of Ramsay MacDonald in 1931 was for many socialists. The humiliation of the Heath government was one of the animating forces behind the determination of the Thatcher government not to repeat it once in office.</p> <h3>The Ridley Plan</h3> <p>The Ridley Plan was a part of the Conservatives’ preparation for power. Its author, Nicholas Ridley (second son of the third Viscount Ridley, who helped establish the University of Newcastle in 1963), was perhaps the most Thatcherite of all of Thatcher’s ministers. He resigned from the Heath government in 1972 over what he saw as its betrayal, and formed the Selsdon Group the following year “to influence the Conservative Party so that it embraces economic and social policies which extend the boundaries of personal choice.”</p> <p>The Selsdon Group espoused free-market policies, privatization of nationalized industries, and cuts in taxation and government spending. Only in private provision of health care and education vouchers did it want to go further than Thatcher was to deem practicable. Nevertheless, Thatcher’s government was, as Ridley entitled his memoirs, <em>My Style of Government</em>. In 1977, with a minority Labour Government in office, a general election could take place at any time. A manifesto needed to be prepared, and as part of that, “we must take every precaution possible to strengthen our defenses against all-out attack.”</p> <p>Keith Joseph, commonly regarded as the principal architect of Thatcherism, commissioned the Nationalized Industries Policy Group Report. In 28 pages, the report diagnosed the essential problem of nationalized industries, and, indeed, the state-supported public sector: “immunity from bankruptcy.” The threat of failure incentivized the private sector; it followed that publicly run services were incapable of efficiency.</p> <p>There were five stages to what became known as the Ridley Plan. The first was to allow for government to pay a higher wage to public sector workers than the going rate: “if the policy can survive intact by paying higher than average wage claim it would be a victory.” The second was that “a victory on ground of our choosing would discourage an attack on more vulnerable ground.” This suggested “non-vulnerable” industries to be targeted included British Rail, British Leyland, or British Steel.</p> <p>Denationalization of such industries, or, as the report put it, their “return to the private sector,” was the strategy. On page 24, in a “Confidential Annex,” was the tactic called “Countering the Political Threat.” In this section, Ridley said, “We must be prepared for these stratagems to fail, and we must take every precaution possible to strengthen our defenses against all-out attack in a highly vulnerable industry… the most likely area is coal.”</p> <p>The report predicted that the trigger would be “redundancies or closures.” The miners’ strike of 1972, and in particular the Battle of Saltley Gate coke works (“the miners’ Agincourt”) was instructive: the next battle should only commence with the maximum quantity of coal stockpiled, with plans in place for coal imports and the employment of non-unionized haulage drivers. The cutting of state funds for strikers “is clearly vital,” and “the problem of violent picketing” required “a large, mobile squad of police who are prepared and equipped to uphold the law.”</p> <p>The report was leaked, a row ensued, and the report was disavowed; however, the intent was known. The Ridley Plan became demonized on the left, as an order of battle for war against the forces of labor. Indeed, the plan could not have been more prescient. Ridley had predicted “there is no doubt that at some time the enemies of the next Tory Government will try to destroy this policy.” He expected the challenge to come six to 10 months after the election. As with much else in the plan, that also proved to be correct, except that the election the challenge followed was not that of 1979, but of 1983, when the government was re-elected with a parliamentary majority not seen since 1945. As it concluded, eight years earlier, implementation of the Ridley Plan “should enable us to hold the fort until the long term strategy of fragmentation can begin to work.” Right after coal, shipbuilding&mdash;which was central to the region from which the Ridleys originated&mdash;was next on the list of industries where “the scope for fragmentation ... is greatest.”</p> <h2>Matt Perry on Red Ellen and <em>The Town That Was Murdered</em></h2> <p>In 1936, the Member of Parliament representing Jarrow (across the River Tyne from Wallsend) was Ellen Wilkinson, known as Red Ellen due to her hair color and politics. She fought for the vote for women, led equal pay strikes during the Great War, testified to Black and Tan violence in the Irish War of Independence, met Lenin and Trotsky in the aftermath of the Russian Revolution, visited Gandhi in jail during the civil disobedience movement, exposed Hitler’s plans to march into the Rhineland, and visited Spain during the Civil War.</p> <p>She also wrote a devastating account of the closure of a shipyard called <em>The Town That Was Murdered</em>, published just before the outbreak of World War II. She applied her training as a historian to produce a brilliant polemic against unemployment and poverty under capitalism. It was the <em><a href="https://www.imdb.com/title/tt5168192/" target="_blank">I, Daniel Blake</a></em> of its day. In her view, the text was neither a guidebook nor a complete history of the town, but a “biography with a thesis” or a “life history of Jarrow.” She viewed Jarrow with its strike movements and its martyrs as “an illustrated footnote to British working-class history,” recalling the 1832 and 1844 strikes to unionize the Durham coalfield and the agitation for a nine-hour day from 1866&ndash;1872 in shipbuilding and engineering.</p> <p>Her book charted Jarrow’s half century as a company town. Skilled workers from the Midlands and Irish laborers arrived during the good times of expansion, but capitalist growth was chaotic and interrupted by “bad times.” During these, unemployment and hardship grew, families crowded together under the same roof, and malnourishment increased. Ill health and epidemics of infectious diseases followed. Wilkinson presented a picture of a company able to exert local political control, pulling the strings of the local council.</p> <p>This influence was used to resist the increases in the rates necessary to improve health and education. The price was a “heavy toll of human sacrifice” with above average death rates worsened by the absence of an isolated hospital for infectious disease and inadequate sanitation in the town. Diarrhea killed large numbers of children due to old-fashioned toilets. Wilkinson then explained the closure of the yard. The industry set up the National Shipbuilders Security Ltd (NSS) to restore profits by cutting shipbuilding capacity. The NSS’s decision to close Palmers Shipbuilding and Iron Company Limited included a 40-year moratorium on shipbuilding at the yard.</p> <p>Wilkinson then recounted the cruel drama of the denial of a modern steelworks for Jarrow, blocked by the steel industry and the banks. In a case that she rehearsed in public meetings the length of the Jarrow Crusade, big business in the shape of the organizations of steel and shipbuilding employers had conspired to “murder” Jarrow. This motif was deployed with the receivership of Palmers and its acquisition by the NSS: “And so, in a dull court-room in London on the last day of June 1933, the fate of Jarrow was decided… An unknown company, its real backers hidden, cut Jarrow’s lifeline.” She carefully spelled out Jarrow’s social conditions: the inadequate relief, the difficulties for the council to raise money from the local rates, the exceptionally high maternal and infant mortality and slum housing. Connecting Jarrow’s story to the case for socialism, she concluded that, though profiteers might ravage a town and move on elsewhere, the workers have a stronger attachment to place: They were crowded into hovels, their children starved and died, and on their sacrifice, great capital has been accumulated.</p> <p>Some might say that all this is no longer relevant today, that those who look to an industrial past are indulging in nostalgia. Yet, today’s “gig economy” operated at the gates of shipyards and the docks every morning in the 1930s. In food bank Britain, inequalities in health and wealth are comparable to those of then. The danger is that those hostile to the rights of working people&mdash;the Trumps, Le Pens, and UKIPs&mdash;capitalize on the pain of deindustrialization. Within six years of writing <em>The Town That Was Murdered</em>, Wilkinson became Minister of Education in the 1945 Labour Government that introduced the welfare state and promised that there would be no return to the 1930s.</p>