1978–1987

Diverse Artists Breaking New Ground

During Center Theatre Group’s second decade, we cemented our position as one of the nation’s foremost regional theatres and a space for artists like Luis Valdez, Marsha Norman, Lanford Wilson, and Denzel Washington.

On opening night, when the character of El Pachuco, memorably played by Edward James Olmos, swaggered onto the Taper stage, Chicano theatre became American theatre.

(L–R) Stephanie Zimbalist, Brent Carver, and Anthony Hopkins in "The Tempest"
May 17 – July 1, 1979

Anthony Hopkins plays Prospero in 'The Tempest' at the Taper, May 17 – July 1, 1979

(L–R) Stephanie Zimbalist, Brent Carver, and Anthony Hopkins in "The Tempest" Photo by Jay Thompson

[Children of a Lesser God] opens up a conversation between those in the community who can't hear and those who can hear, when we listen. There goes the Taper, putting people together again.

(L-R) Phyllis Frelich, John Rubinstein, and Julianne Gold in "Children of a Lesser God"
October 25 – December 9, 1979

'Children of a Lesser God' by Mark Medoff, directed by Gordon Davidson, makes its World premiere at the Taper, October 25 – December 9, 1979

(L-R) Phyllis Frelich, John Rubinstein, and Julianne Gold in "Children of a Lesser God" Photo by Craig Schwartz

(L-R) Maureen Stapleton, Nicolas Coster, Lillian Hellman, and Elizabeth Taylor at "The Little Foxes."
September 25 – December 5, 1981

Elizabeth Taylor stars in 'The Little Foxes' by Lillian Hellman at the Ahmanson, September 25 – December 5, 1981

(L-R) Maureen Stapleton, Nicolas Coster, Lillian Hellman, and Elizabeth Taylor at "The Little Foxes."

(L–R) Robert Hooks and Denzel Washington in A Soldier's Play.
August 19 – October 2, 1982

'A Soldier’s Play' at the Taper features Denzel Washington, August 19 – October 2, 1982

(L–R) Robert Hooks and Denzel Washington in A Soldier's Play. Photo by Jay Thompson.

Matthew Broderick in "Brighton Beach Memoirs."
December 10, 1982 – January 29, 1983

Matthew Broderick in the World premiere of Neil Simon’s 'Brighton Beach Memoirs' at the Ahmanson, December 10, 1982 – January 29, 1983

Matthew Broderick in "Brighton Beach Memoirs."

Matthew [Broderick] was everything I hoped Eugene Morris would be—shy, intelligent and funny without ever trying to be.

Neil Simon, Neil Simon's Memoirs
Gordon Davidson and Arthur Miller
June 14 – August 19, 1984

Gordon Davidson and Arthur Miller at work on 'The American Clock' before its West Coast premiere at the Taper, June 14 – August 19, 1984

Gordon Davidson and Arthur Miller Photo by Jay Thompson

(L–R) Donna Bullock, Hume Cronyn, Jessica Tandy, and Keith Carradine in "Foxfire"
November 22, 1985 – January 11, 1986

Donna Bullock, Hume Cronyn, Jessica Tandy, and Keith Carradine in 'Foxfire' at the Ahmanson, November 22, 1985 – January 11, 1986

(L–R) Donna Bullock, Hume Cronyn, Jessica Tandy, and Keith Carradine in "Foxfire"

Mary Martin and Carol Channing on the same stage! Is that box office or what? Why, they almost wouldn't need a play.

Kathy Bates and Anne Pitoniak in "'night, Mother."
March 27 – May 11, 1986

Kathy Bates and Anne Pitoniak in '’night, Mother' at the Taper, March 27 – May 11, 1986

Kathy Bates and Anne Pitoniak in "'night, Mother."

Kate Burton and Ian McKellen in "Wild Honey"
October 10 – November 30, 1986

Kate Burton and Ian McKellen in 'Wild Honey' at the Ahmanson, October 10 – November 30, 1986

Kate Burton and Ian McKellen in "Wild Honey"

John Malkovich, Gordon Davidson, and Joan Allen rehearsing "Burn This."
1987

John Malkovich, Center Theatre Group Founding Artistic Director Gordon Davidson, and Joan Allen rehearsing 'Burn This', 1987

John Malkovich, Gordon Davidson, and Joan Allen rehearsing "Burn This." Photo by Jay Thompson

Burn This reminds us that…Lanford Wilson is a member of an endangered species that theatre like the Taper, Circle Rep and Steppenwolf must continue to nurture.

Center Theatre Group's Founding Artistic Director Gordon Davidson

I don’t know how many times Rob [Reiner] came to see that play, but it was a lot. He’d seen my work in New York, but I think this is where he got the idea to use me in Misery.