2019 | Center Theatre Group

Dael Orlandersmith starts the conversations her audiences need. In her newest groundbreaking work, Until the Flood—onstage at the Douglas from January 21 – February 23, 2020—that means thinking and talking about Ferguson, Missouri, where in 2014 a white police officer shot and killed an unarmed black teenager named Michael Brown. After succes...

How Dael Orlandersmith Speaks to People

It’s the fall of 1977 in the Hill District. The urban area just west of downtown Pittsburgh is predominantly African American, and in a time of de facto segregation, untraveled by run-of-the-mill taxis. Transportation options are limited, and unlicensed “jitney” cabs are as common there as legal yellow cabs are in white neighborhoods.

Community, Empowerment & Being Human in August Wilson’s 'Jitney'

Ruben Santiago-Hudson describes August Wilson’s Jitney—onstage at the Mark Taper Forum Novermber 22 – December 29, 2019—as “two parallel love stories.”

An Opportunity to Celebrate

To portray the vast canvas of American periods and locales on display in A Play Is a Poem—Ethan Coen’s World premiere collection of short plays onstage at the Mark Taper Forum September 11 – October 13, 2019—it takes a large and capable cast. In just under two hours, the action onstage goes from the East Coast to the West Coast—twice—an...

Play or Poem; It Takes a Village

From Appalachia to Hollywood, drama to comedy, A Play Is a Poem is a cross-country cross-section of American theatrical history. Consisting of five short plays of disparate settings and genres, the fundamental connection these pieces share doesn’t begin onstage. Rather, it all starts with over a decade’s worth of collaboration between playwrigh...

Collaboration, Cast, and Poetry: What Makes a Play?

In the midst of their June 5 – July 7, 2019 Ahmanson run, the company of Indecent celebrated their 300TH performance of this production, which has moved from New York to Boston’s Huntington Theatre Company and finally to Center Theatre Group over the past few years. A number of cast members, as well as playwright Paula Vogel and director Rebecc...

The Woman who Knows the Sounds of ‘Indecent’ Better than Anyone

From the earliest productions of God of Vengeance to the similar rediscoveries of the work by both playwright Paula Vogel and director Rebecca Taichman, Indecent represents the culmination of over 100 years of social, cultural, religious, and theatrical history. For greater context, here are some of the milestones of the creation and production of...

A Journey of Passion

It took 20 years—or 100 years, depending on how you count—for Indecent to get to Broadway. It all started in Poland in 1907, when a young Yiddish writer named Sholem Asch wrote a play called God of Vengeance. Or perhaps it all started in the stacks of the library at Yale Law School in the late 1990s, when a graduate drama student encountered th...

An Extraordinary Journey to Broadway and Beyond

There is a story we want to tell you.

There Is a Story We Want to Tell You

"Welcome to '30 to Curtain,' a Center Theatre Group podcast. I'm Michael Ritchie, Artistic Director of Center Theatre Group. For each episode of this podcast, we talk with some of the talented artists working with us across our three stages, the Ahmanson Theatre, the Mark Taper Forum, and the Kirk Douglas Theatre. Our guests on this episode are pla...

30 to Curtain: Lucas Hnath and Les Waters

Center Theatre Group has a celebrated history of bringing playwright Samuel Beckett’s works to our stages over the last three decades, including a festival in 1990 that featured Play, Krapp’s Last Tape, and Happy Days. Upon that offering of the now legendary artist’s plays, Founding Artistic Director Gordon Davidson wrote, “Beckett’s play...

Are You Beckett Enough?