News And Blogs

The first page of the script of Ngozi Anwanyu’s Good Grief (onstage at the Kirk Douglas Theatre through March 26, 2017) specifies the time (1992–2005) and place (Bucks County, Pennsylvania) where the play’s action occurs.

The Set Design Magic of ‘Good Grief’

On April 25, 2001, global cinema changed forever, and a new era began in French cinema with the release of Le Fabuleux Destin d’Amélie Poulain (called simply Amélie in the U.S., and the movie on which the new musical onstage at the Ahmanson Theatre through January 15, 2017 is based). Directed by Jean-Pierre Jeunet—who had previously directed...

The Cinematic Sensation that Was ‘Amélie’

2016/17 is a season of firsts at the Kirk Douglas Theatre. The 13th season at our space in Downtown Culver City is jam-packed with five World premieres, one American premiere, and our inaugural Block Party. It is also a season that reflects the diverse and innovative ways regional theatres like Center Theatre Group commission new work, collaborate...

Raising Collaboration to an Artform

Throughout the summer and early fall of 2016, Center Theatre Group’s artistic staff worked hard to prepare for the 20 productions that will play our Los Angeles stages in the upcoming season. But they were also traveling 2,500 miles across the country to New York City to participate in workshops and readings of nine different plays and musicals i...

The Center Theatre Group Plays you Haven’t Heard of—Yet

Garry Hynes has been breaking new ground in theatre since the 1970s, when she, along with two friends from the National University of Ireland, founded Druid in Galway—the country’s first professional theatre company to be based outside Dublin. Two decades later, Hynes discovered an unsolicited script in Druid’s inbox by a young, unknown playw...

Groundbreaking Director Garry Hynes Is Back

“For me every story starts with the script—the words. And Mr. August Wilson was very specific. It’s 1927, Chicago. So that’s your inspiration,” said Tony Award®-nominated costume designer Emilio Sosa on how he got started working on Center Theatre Group’s production of Wilson’s Ma Rainey’s Black Bottom (onstage at the Mark Taper Fo...

Emilio Sosa Puts his own Spin on the 1920s