News And Blogs

The set of Pulitzer Prize finalist Dael Orlandersmith’s Until the Flood transports audiences back to the late summer of 2014, when Ferguson, Missouri boiled with unrest after teenager Michael Brown was fatally shot by police officer Darren Wilson. In the aftermath of the incident, the town’s grief was palpable, and on the pavement where Brown d...

Mourning, Minimalism & Motion

Dael Orlandersmith starts the conversations her audiences need. In her newest groundbreaking work, Until the Flood—onstage at the Douglas from January 21 – February 23, 2020—that means thinking and talking about Ferguson, Missouri, where in 2014 a white police officer shot and killed an unarmed black teenager named Michael Brown. After succes...

How Dael Orlandersmith Speaks to People

For any playwright, the opportunity to create and converse in a collaborative setting is a golden one. Especially unique is an environment as immersive and supportive as the L.A. Writers’ Workshop, now beginning its 14th year at Center Theatre Group.

Diverse Stories and Remarkable Talents

Five short plays wrapped into one evening, Ethan Coen’s A Play Is a Poem—onstage September 11 – October 13, 2019 at the Mark Taper Forum—celebrates the one-act play, a form that, over the last century, has endured the ebb and flow of theatre’s evolving landscape....

Revisiting the One-Act Form with Ethan Coen’s ‘A Play Is a Poem’

For nearly 30 years, John Leguizamo has been creating and starring in landmark solo theatre productions that draw on his life to bring audiences around America laughter, understanding, and even catharsis. At the same time, of course, he’s graced our screens in everything from his recent Emmy®-nominated turn in When They See Us and roles in To Wo...

John Leguizamo Is Going to Rock You

In the midst of their June 5 – July 7, 2019 Ahmanson run, the company of Indecent celebrated their 300TH performance of this production, which has moved from New York to Boston’s Huntington Theatre Company and finally to Center Theatre Group over the past few years. A number of cast members, as well as playwright Paula Vogel and director Rebecc...

The Woman who Knows the Sounds of ‘Indecent’ Better than Anyone

From the earliest productions of God of Vengeance to the similar rediscoveries of the work by both playwright Paula Vogel and director Rebecca Taichman, Indecent represents the culmination of over 100 years of social, cultural, religious, and theatrical history. For greater context, here are some of the milestones of the creation and production of...

A Journey of Passion

It took 20 years—or 100 years, depending on how you count—for Indecent to get to Broadway. It all started in Poland in 1907, when a young Yiddish writer named Sholem Asch wrote a play called God of Vengeance. Or perhaps it all started in the stacks of the library at Yale Law School in the late 1990s, when a graduate drama student encountered th...

An Extraordinary Journey to Broadway and Beyond

There are many key moments in a play’s journey to the stage: the initial idea, the first draft, the first rehearsal, the opening night. In the midst of these typically are numerous workshops, formal and informal, where actors, the playwright, and perhaps a director read and listen to the play aloud to see how it works as a piece of theatre....

Forging Plays, Building Community

Suddenly I’m in the cockpit / Suddenly everything’s changed … Suddenly there's nothing in between me and the sky. It’s impossible not to clap or pump your fist or cheer as Becky Gulsvig, who plays Beverley Bass in the national tour of Come From Away (at the Ahmanson November 28, 2018 – January 6, 2019), sings the story of how Bass became...

A Q&A with Captain Beverley Bass

Twenty-eight hours after leaving Paris, France for Dallas, Texas, American Airlines Captain Beverley Bass and her passengers and crew disembarked in the Newfoundland, Canada town of Gander, population approximately 10,000. “Most airline pilots will spend their entire career knowing about Gander but never landing there,” recalled Bass of the loc...

The Making of 'Come From Away'