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The Woman who Knows the Sounds of ‘Indecent’ Better than Anyone

In the midst of their June 5 – July 7, 2019 Ahmanson run, the company of Indecent celebrated their 300TH performance of this production, which has moved from New York to Boston’s Huntington Theatre Company and finally to Center Theatre Group over the past few years. A number of cast members, as well as playwright Paula Vogel and director Rebecc...

The Woman who Knows the Sounds of ‘Indecent’ Better than Anyone

A Journey of Passion

From the earliest productions of God of Vengeance to the similar rediscoveries of the work by both playwright Paula Vogel and director Rebecca Taichman, Indecent represents the culmination of over 100 years of social, cultural, religious, and theatrical history. For greater context, here are some of the milestones of the creation and production of...

A Journey of Passion

An Extraordinary Journey to Broadway and Beyond

It took 20 years—or 100 years, depending on how you count—for Indecent to get to Broadway. It all started in Poland in 1907, when a young Yiddish writer named Sholem Asch wrote a play called God of Vengeance. Or perhaps it all started in the stacks of the library at Yale Law School in the late 1990s, when a graduate drama student encountered th...

An Extraordinary Journey to Broadway and Beyond

There Is a Story We Want to Tell You

There is a story we want to tell you.

There Is a Story We Want to Tell You

30 to Curtain: Lucas Hnath and Les Waters

"Welcome to '30 to Curtain,' a Center Theatre Group podcast. I'm Michael Ritchie, Artistic Director of Center Theatre Group. For each episode of this podcast, we talk with some of the talented artists working with us across our three stages, the Ahmanson Theatre, the Mark Taper Forum, and the Kirk Douglas Theatre. Our guests on this episode are pla...

30 to Curtain: Lucas Hnath and Les Waters

Are You Beckett Enough?

Center Theatre Group has a celebrated history of bringing playwright Samuel Beckett’s works to our stages over the last three decades, including a festival in 1990 that featured Play, Krapp’s Last Tape, and Happy Days. Upon that offering of the now legendary artist’s plays, Founding Artistic Director Gordon Davidson wrote, “Beckett’s play...

Are You Beckett Enough?
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