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There are some theatregoers who argue that despite added hassle, the act of going to a theatre and watching a play in-person is virtuous and the very cornerstone of the art.

A Few of The 2018 Tony Nominees We’re Rooting For!

If we traveled back 70 years in American theatre, a booming parade of sweeping love ballads and uplifting melodic celebrations would welcome us. It’s not dissimilar to the music onstage at the Ahmanson Theatre May 3 – June 10, 2018 for Soft Power, the new show from David Henry Hwang and Jeanine Tesori....

From Revivals to Reconstruction

Tony-Award®-winning composer Jeanine Tesori is known for translating America’s most iconic musical styles to the stage with shows like Caroline, or Change and Fun Home. But even if you appreciate the blend of eras and references that fill her music, don’t call her work “pastiche.”...

Jeanine Tesori’s Musical Patchwork (not to Be Confused with Pastiche)

What does American musical theatre look like if all I have is a bunch of Youtube videos? This was one question choreographer Sam Pinkleton used to guide his process in choreographing Soft Power, David Henry Hwang and Jeanine Tesori’s World premiere musical fantasia playing at the Ahmanson May 3 – June 10, 2018. The play’s “reverse appropria...

An All-American Dance Off

Playwright David Henry Hwang knows a thing or two about artistic tropes and stereotypes about Asians, a topic that several of his plays have thoughtfully grappled with. Yet Hwang admitted—in a conversation with Center Theatre Group Artistic Director Michael Ritchie—that The King and I still holds a special place in his heart. There’s this com...

When Theatre Royalty Take On Real-World Royalty

To say that the creative team behind the World premiere of Soft Power—onstage at the Ahmanson Theatre May 3 – June 10, 2018—admires and respects one another is an understatement. It might be more suitable to say that Soft Power playwright and lyricist David Henry Hwang, composer Jeanine Tesori, director Leigh Silverman, and choreographer Sam...

Three's a Crowd, Four's a Collaboration