News And Blogs

Throw a stone in Los Angeles and if you don’t hit a pressed juice bar or an actor, you’re probably going to impale a writer.

Investing in New Talent

At the heart of Adler & Gibb, Tim Crouch’s newest head-puzzler onstage at the Kirk Douglas Theatre through January 29, 2017, lies a mystery. Janet Adler was a "once in a generation" artist whose contributions to the art world were only overshadowed by her mysterious disappearance and subsequent unexplained death. Was she murdered by her long-...

Five Tales of Scandal, Conspiracy, and Murder in the Art World

As 2017 begins, we’re officially celebrating Center Theatre Group’s 50th Anniversary. We’ll be spending much of the year looking ahead to the next 50 years of theatre in Los Angeles and beyond, but we’re also honoring our past. From January – May, each of our issues of Performances will feature a timeline of one decade in our history. We'...

Zoot Suits, Performance Artists, and 50 years of History

Since 2003, Brighton, England-based Tim Crouch and his collaborators have been making theatre that defies description, convention, and expectations—and Adler & Gibb, playing the Kirk Douglas Theatre through January 29, 2017, is no exception. Crouch wrote, co-directed, and acts in the production; before he became a theatre maker, he was an act...

Tim Crouch Explains Himself (Kind of)

A slate of beloved movies are taking America’s stages by storm in 2017. Here at the Ahmanson Theatre through January 15, 2017, and on Broadway beginning in April, is Amélie, A New Musical. And Amélie and her Montmarte crew (as well as her beloved gnome) are in excellent company. Check out our list of new and upcoming musicals based on films....

The Movies to Musicals of 2017

On April 25, 2001, global cinema changed forever, and a new era began in French cinema with the release of Le Fabuleux Destin d’Amélie Poulain (called simply Amélie in the U.S., and the movie on which the new musical onstage at the Ahmanson Theatre through January 15, 2017 is based). Directed by Jean-Pierre Jeunet—who had previously directed...

The Cinematic Sensation that Was ‘Amélie’