News And Blogs

As the self-described only even nominally Chinese person who’s ever written a Broadway show, Chinese American playwright David Henry Hwang has gone on quite a few meetings with Chinese entertainment producers who want to create a Broadway show of their own. Why are they interested? Two words that also happen to be the title of Hwang and Jeanine T...

‘Soft Power’: The Show, The Theory, The Inspiration

Theatre makers around the country are grappling with cultural appropriation and nontraditional casting right now. But the Asian American speakers at a recent Community Conversation are also coming to terms with their own “internal crisis” about beloved (but problematic) classics like Miss Saigon and The King and I....

Orientalism and the Portrayal of Asian Americans in Musicals

How does a new (play with a) musical get made? To quote Soft Power, It Just Takes Time. In this case, that’s four years, 13 readings and workshops, and the partnership of a crackerjack creative team of American theatre all-stars. But before all that, there was breakfast, as Center Theatre Group Artistic Director Michael Ritchie and playwright Dav...

Four Years, Two Breakfasts, and One Big Commission

Why don’t we see more Asian Americans onscreen and onstage with accents that aren’t played for laughs? Is it OK for a Japanese actress to play Korean or Taiwanese? And why, if they live in New York City, don’t the characters on Friends have any friends who aren’t white?

The Politics of Casting

Boni B. Alvarez brings the mythical aswang of the Philippines to life in Bloodletting (onstage at the Kirk Douglas Theatre March 29 – April 8, 2018 as part of Block Party). Alvarez has described the aswang as a Filipino witch, but there are many different variations....

What’s an Aswang, Anyway?

Entering its 26th year, Playwrights’ Arena is the only theatre company that continues to exclusively produce and promote Los Angeles playwrights.

A Filipino American Los Angeles Story