News And Blogs

Why don’t we see more Asian Americans onscreen and onstage with accents that aren’t played for laughs? Is it OK for a Japanese actress to play Korean or Taiwanese? And why, if they live in New York City, don’t the characters on Friends have any friends who aren’t white?

The Politics of Casting

Boni B. Alvarez brings the mythical aswang of the Philippines to life in Bloodletting (onstage at the Kirk Douglas Theatre March 29 – April 8, 2018 as part of Block Party). Alvarez has described the aswang as a Filipino witch, but there are many different variations....

What’s an Aswang, Anyway?

Entering its 26th year, Playwrights’ Arena is the only theatre company that continues to exclusively produce and promote Los Angeles playwrights.

A Filipino American Los Angeles Story

The Sherwood Award for emerging theatre artists is awarded each year to an innovative and adventurous Los Angeles-based theatre artist of promise. This year’s finalists are Hana Kim, Gina Young, and Marsian De Lellis. We asked them a few questions about how they innovate and what’s led them here....

Meet the 2018 Richard E. Sherwood Award Finalists

In 2018, Ahmanson audiences will experience Soft Power, a World premiere from theatrical titans David Henry Hwang (M. Butterfly) and Jeanine Tesori (Fun Home).

Center Theatre Group Partners with East West Players on 'Soft Power'

What is it about 'The Red Shoes' that attracts you as a story to adapt for dance? It’s the story that Michael Powell and Emeric Pressburger fashioned around Hans Christian Andersen’s story of The Red Shoes for their seminal 1948 movie that really attracted me. The Andersen fairy tale is a little difficult to relate to today with its the...

How 'The Red Shoes' Came to Life